japonisme

24 October 2011

catch a scent of salt

1812

.亡母や海見る度に見る度に
naki haha ya umi miru tabi ni miru tabi ni

my dead mother--
every time I see the ocean
every time...

Issa's mother died when he was a small child. In his diary, this haiku is followed immediately by another ocean poem:

murasaki no kumo ni itsu noru nishi no umi

on purple clouds
when will I set sail?
western sea

In mythic terms, the western sea separates this world from the Pure Land. The ocean, then, is a barrier between this world and the next, keeping Issa separate from his beloved mother.

Issa, translated by David G. Lanoue
OUR VALLEY

We don't see the ocean, not ever, but in July and August
when the worst heat seems to rise from the hard clay
of this valley, you could be walking through a fig orchard
when suddenly the wind cools and for a moment
you get a whiff of salt, and in that moment you can almost
believe something is waiting beyond the Pacheco Pass,
something massive, irrational, and so powerful even
the mountains that rise east of here have no word for it.

You probably think I'm nuts
saying the mountains
have no word for ocean,
but if you live here
you begin to believe
they know everything.
They maintain that huge silence we think of as divine,
a silence that grows in autumn when snow falls
slowly between the pines and the wind dies
to less than a whisper and you can barely catch
your breath because you're thrilled and terrified.

You have to remember this isn't your land.
It belongs to no one,
like the sea you once lived beside
and thought was yours.
Remember the small boats
that bobbed out as the waves rode in,
and the men
who carved a living from it
only to find themselves
carved down to nothing.
Now you say this is home,
so go ahead, worship the mountains as they dissolve in dust,
wait on the wind, catch a scent of salt, call it our life.

Philip Levine

(c) copyright 2011 Philip Levine

MOTORCYCLE CRASH

DYING MAN (inner voice): Don't look at me so stupidly! Haven't you seen anyone croak before? Shit, is it this easy? I'm lying in a puddle, stinking like an oil tanker. I can't really end up here like a cow shit! Everything so clear! How they stand there gawking at me. The oil puddle...

DYING MAN (Inner voice): Karin, I should have told you yes-terday... This thing got out of control. ...I'm so sorry. Karin! Now I'm lying here. I can't simply... I have to... Karin, there are so many things I still have to do! Karin, Baby, things look bad for me.

DAMIEL
(speaking for the DYING MAN):

As I emerged from the valley out of the fog into the sunshine...
The fire
at the edge of the prairie...
The potatoes in the ashes...
The boat-house
far off at the lake...

DAMIEL and the DYING MAN:
The Southern Cross,
The Far East,
The Great North,
The Wild West,
The Great Bear Lake!

DYING MAN:
The Isles of Tristan de Cunha.
The Mississippi Delta.
Stromboli.
The old houses of Charlottenburg.
Albert Camus.

DYING MAN :
The morning light.
The child's eyes.
Swimming in the waterfall...


(click to see the scene)

VOICE OF THE DYING MAN (off screen):

The flecks of the first raindrops.
The sun.
Bread and wine.
Skipping.
Easter.
The veins of leaves.
The fluttering grass.
The colors of the stones.
The pebbles on the river bed.
The table cloth in the open air.
The dream of the house...

...in the house.
The neighbor asleep in the next room.
Sunday's peacefulness.

The horizon.
The light from the room...

In the garden.
The night flight.

Biking with no hands.

The beautiful stranger.

My father

My mother.
My wife.
My child.


from Wings of Desire

Wim Wenders and Peter Handke 1

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29 May 2009

the hommage continues

listen to anitra's dance while viewing
new york times, august 21, 1917

ADOLF BOLM GIVES HIS EXOTIC DANCES

Adolf Bolm, who was the "brains" of the Russian Ballet in its American seasons, as Michael Fokine was in Europe, presented at the Booth Theatre last evening his latest assembling of exotic dances, called "Ballet Intime," drawn from original sources as various as Russia, India, Java, and Japan.

Among his associate artists, Roshanara led with a "Hindu Fantasy" in dark silhouette, danced to the air of the "Hindoo Song" that Alma Gluck sings, played on this occasion by Jerome Goldberg as a violin solo with orchestra.

There were also Roshanara's "Snake Dance," "Ceylon Harvest," and an East Indian Nautch, with Ratan Devi, the British India singer, who on a platform before the footlights gave some of her own familiar and the authentic folksongs and classics of the East.

Michio Itow of the Imperial Theatre, Tokio, staged his own "Wine Dance," suggesting the methods of modern Japanese art, and the "Fox Dance," in mask and eerie fantasy, recalling the courtly "Noh" dances of old Japan.


The principal new production, recently rehearsed here before a tour of the Summer colonies from Washington to Newport and Bar Harbor, was Mr. Bolm's adaptation of Saint-Saens's "Dance of Death" in the manner of the choreodramas of the Diaghileff troup, with Rita Zalmani for a tiptoe partner, and Marshall Hall as the grinning Death, who tunes the fiddle and takes toll of the dancers at last, an idea congenial to that of the composer of the "Macabre."

Eva Gauthier sang "The Star-Spangled Banner" in the intermission. Marcel Henrotte played Schumann's "Carnival" for piano during briefer pauses, and in conclusion there were Bolm/s "Assyrian" and "Prince Igor" dances from the Russian tour.

Opera and theatre goers in about equal measure made up an appreciative audience, that applauded the presentation of a laurel wreath to Mr. Bolm, who hopes later to produce here an American dance after the "Red Mask" of Edgar Allan Poe.

Bed! Bed! I couldn't go to bed!
My head's too light to try to set it down! Sleep! Sleep!
I couldn't sleep tonight.
Not for all the jewels in the crown!

I could have danced all night!
I could have danced all night!
And still have begged for more.
I could have spread my wings
And done a thousand things I've never done before.

I'll never know What made it so exciting;
Why all at once My heart took flight. I only know when he
Began to dance with me I could have danced,
danced, danced all night!

Eliza, in My Fair Lady

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16 December 2008

on the 183rd day of christmas

on the first day of christmas, santa got a little confused, you know. too much nog. he used the eggs.





on the second day of christmas my true love gave to me cyclamen. and i will tell you, these things last forever. you take them for done-for and they surprise you again.

on the third day of christmas

on the fourth day

on the fifth day of christ- mas, my true love gave to me this lovely little mouse portrait. it's unusual for her work (that i've seen) in that the mice are more fully fleshed rather than drawn. yet she manages to capture their glee and curiosity nonetheless.

aren't these geese for the sixth completely wonderful??! found at mr door tree's valuable blog. this artist was new to me, but the blog features at least two of his books, every illustration a wonder.

on the seventh day of christmas... courtesans! excuse me? and yet they're dear, are they not? perhaps they intend to begin singing.

and in a truly playful spirit christmas was extended, first to high numbers, and then to infinity. it extended throughout the year.

or at least until the sun began to go away again. then it was our job to keep that light alive.

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